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Canon5D MarkII
Hottest body in town?

By Robert Render Harrison

Digital still cameras have been shooting short bursts of low-res video for several years now. Staring at my Canon 20D a few years back, I mused, “wouldn’t it be nice if you could maintain a sustained 24 frames a second.” Shooting fast enough, a digital still camera would morph into a video camera, right? And now they do.

Leading the field, is the 22.1 Megapixel, full-frame (24x36mm) sensor Canon 5D MarkII, which shoots 1080/30p — a still camera scarcely larger than Canon’s prosumer 30D/40D/50D digital SLRs. Eagerly adopted by indie wannabes as well as seasoned movie industry shooters, people are blown away by the imagery.

And if you shoot it right, the potential is awesome.

  • Keep the camera very steady, or move it smoothly in one direction. Better yet, use a tripod or Steadicam. Forget ‘shaky cam’ - you’ll beat the refresh rate of the rolling shutter, and get the wobblies, aka the ‘jello’ effect.

  • Clips last up to 29 minutes 50 seconds max; you need a 16GB card. Two such clips on 32GB card. Four-gigabyte cards shoot 7-12 minutes, depending on the amount of movement being compressed (as in more is less).

  • Use ND filters and low ISO to keep apertures fairly wide.

I asked a video cameraman, “does this sound like filmmaking to you?” “No!” he said. I asked a film shooter the same question. “Sounds a lot like shooting film to me!” he said.

All things considered, I don’t recommend a digital SLR for a long form, run-and-gun documentary. But if you desire the ‘film look’ of narrow depth of field (actually, even less depth of field, since the sensor is twice as big as a 35mm frame), great resolution and color, and you love being a pioneer in a new world (like our contributor Jim Livesey) be prepared to shoot in your bare feet, because the image quality will knock your socks off!

The 5D MarkII is opening a new door for indies. This camera costs $2,700; add mattebox and follow focus, and a few good primes — maybe $10,000 and you’re set. (As with all new technology, you’ll want to check constantly for the latest ‘fixes’ and new accessories). Choose Zeiss or Nikon manual lenses, or Canon ‘L’ series. In major cities, you can likely rent Canon or Nikon lenses for about $15-20 a day, and a 5D MarkII for $175.

Links to more stunning footage captured with the 5D Mark II:

 Aboard a great Australian adventure cruise boat vimeo.com/4685373

 Gorgeous time-lapse sequence vimeo.com/3101098

  Straight out of the 5D vimeo.com/4038064

Read the article Can you shoot Features with the Canon 5D Mark II in Indie Slate Issue #58, by Jim Livesey.


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